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RAD LIFE

Filtering by Tag: adelaide fringe 2018

Adelaide Fringe '18 Review: Demi Lardner

Georgia Brass

In 'Skeleton', Demi has ditched the conventions of stand up comedy to create something quirky and at times intentionally cringe.

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Adelaide Fringe ’18 Review: The Amy Winehouse Show

Bianca Iovino

Australian vocalist Atlanta Coogan and musical group The Little Big Band team up to pay homage to the late musical legend Amy Winehouse with an hour of classic tunes.

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Adelaide Fringe ’18 Review: Nazeem Hussain

Bianca Iovino

Former resident of the celebrity jungle, Nazeem Hussain, trades in Network Ten for the Adelaide Fringe with his brand new comedy show, No Pain No Hussain.

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Adelaide Fringe '18 Review: Tommy Little

Michaela McGrath

Tommy Little trades the airwaves for The Garden of Unearthly Delights stage, as he returns to the Adelaide Fringe Festival with an all-new stand-up show, The Last King of Stupid

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Adelaide Fringe '18 Review: Dave Hughes - The Snorkeler

Paul Maland

Faced with a middle-child who has all the answers, while entering the middle-age bracket of life, Hughesy's "Snorkeler" set is a relaxed but expert piss-take explanation of what it's like trying to keep head above water

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Adelaide Fringe ’18 Review: Baby Wants Candy: The Completely Improvised Full Band Musical!

Georgia Brass

It’s easy to see why Baby Wants Candy has had three back to back sold out seasons at the Edinburgh Fringe.

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Adelaide Fringe ’18 Review: Best of the Edinburgh Fest

Georgia Brass

Best of the Edinburgh Fest sees three comedy acts featured in the Edinburgh Fringe 2017 brought together (and across the ocean) by Mary Tobin.

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Adelaide Fringe '18 Review: Abandoman’s Rob Broderick - The Musical In My Mind

Jamieson Eileen

50% hip-hop, 50% comedy, 100% mind-blowing! 

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Adelaide Fringe '18 Review: Cal Wilson

Kate Sansome

New Zealand comedian, Cal Wilson, returns to the Adelaide Fringe with her brand new comedy show, Hindsight.

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Adelaide Fringe '18 Review: Socially [Un]Acceptable

Kate Sansome

Socially [Un]Acceptable is a performance that lingers with you long after you leave. It’s confronting, it’s raw and it invites you to question the way society views sexual assault.

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